{"id":18965,"date":"2026-09-15T17:57:22","date_gmt":"2026-09-15T21:57:22","guid":{"rendered":"https:\/\/iphiladelphia.net\/?p=18965"},"modified":"2026-09-15T18:16:21","modified_gmt":"2026-09-15T22:16:21","slug":"the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth","status":"publish","type":"post","link":"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth","title":{"rendered":"The Cultural Code of Magic Gardens: How Isaiah Zagar Turned South Street into a Mosaic Labyrinth"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In the late 1960s, Philadelphia\u2019s <strong>South Street<\/strong> was on the brink of erasure. City officials planned to demolish several blocks to make way for the Crosstown Expressway. The impending demolition sent property values plummeting, turning the neighborhood into an overlooked urban wasteland. Yet, the dirt-cheap storefronts soon drew in artists, musicians, and free spirits\u2014igniting a cultural movement that came to be known as the <strong>\u201cSouth Street Renaissance.\u201d<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1968, artist Isaiah Zagar and his wife, Julia, moved to the area. Rather than seeing urban decay in the crumbling facades, Zagar saw an enormous canvas for public art. Below, <a href=\"https:\/\/iphiladelphia.net\/en\">iphiladelphia.net<\/a> tells the story of South Street&#8217;s vibrant transformation.<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6aaa6e76d2c4c\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6aaa6e76d2c4c\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#The_Philosophy_of_Anarchic_Collage_Crafting_a_Mosaic_Labyrinth\" >The Philosophy of Anarchic Collage: Crafting a Mosaic Labyrinth<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#From_Household_Scraps_to_Artistic_Expression\" >From Household Scraps to Artistic Expression<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#Echoes_of_Gaudi_Art_Brut_and_Peruvian_Folk_Tradition\" >Echoes of Gaud\u00ed, Art Brut, and Peruvian Folk Tradition<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#The_Anatomy_of_Magic_Gardens_Stepping_into_a_3D_Mosaic\" >The Anatomy of Magic Gardens: Stepping into a 3D Mosaic<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#Spatial_Layout_of_the_Mosaic_Labyrinth\" >Spatial Layout of the Mosaic Labyrinth<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#The_Battle_for_Sacred_Ground_How_the_Community_Saved_Zagars_Creation\" >The Battle for Sacred Ground: How the Community Saved Zagar\u2019s Creation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#Stages_of_Salvation_and_Transformation\" >Stages of Salvation and Transformation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/iphiladelphia.net\/en\/eternal-18965-the-cultural-code-of-magic-gardens-how-isaiah-zagar-turned-south-street-into-a-mosaic-labyrinth\/#Legacy_and_Cultural_Identity_Rewriting_Philadelphias_DNA\" >Legacy and Cultural Identity: Rewriting Philadelphia\u2019s DNA<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Philosophy_of_Anarchic_Collage_Crafting_a_Mosaic_Labyrinth\"><\/span>The Philosophy of Anarchic Collage: Crafting a Mosaic Labyrinth<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Isaiah Zagar\u2019s work transcends traditional mosaics and conventional street art. It is a raw, three-dimensional anarchic collage. Here, everyday household items, scrap materials, and urban debris merge seamlessly with intimate diary entries, sacred folk motifs, and poignant poetry.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"From_Household_Scraps_to_Artistic_Expression\"><\/span>From Household Scraps to Artistic Expression<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Zagar turned the concept of recycling and reclaiming materials into his core aesthetic and philosophical manifesto. Embedded into the concrete walls of his sprawling labyrinth are thousands of everyday artifacts discovered on Philadelphia\u2019s streets, salvaged from junkyards, or donated by neighbors.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Mirror Shards.<\/strong> Reflecting sunlight, street lamps, and passersby, they produce a dynamic kaleidoscopic effect that visually expands narrow alleys and tucked-away courtyards.<\/li>\n\n\n\n<li><strong>Everyday Ceramics and Glass.<\/strong> Tinted bottles, shattered porcelain, decorative tiles, and assorted metal hardware\u2014from bicycle chains to wheels off vintage roller skates\u2014are set permanently into the mortar.<\/li>\n\n\n\n<li><strong>Inscribed Messages.<\/strong> Hand-sculpted or etched directly into wet cement, these include lines of classic poetry, quotes from visionary artists, bold political manifestos, and deeply personal confessions from the artist&#8217;s journals.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"763\" src=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-6.png\" alt=\"\" class=\"wp-image-18946\" srcset=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-6.png 960w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-6-300x238.png 300w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-6-768x610.png 768w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-6-696x553.png 696w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Echoes_of_Gaudi_Art_Brut_and_Peruvian_Folk_Tradition\"><\/span>Echoes of Gaud\u00ed, Art Brut, and Peruvian Folk Tradition<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Zagar\u2019s unmistakable visual signature was shaped by several profound influences. His late-1960s service with the Peace Corps in Peru introduced him to <strong>traditional folk crafts<\/strong> and South American ceremonial art. While traveling through Europe, he was captivated by <strong>Antoni Gaud\u00ed\u2019s architectural masterworks<\/strong> in Barcelona\u2014most notably Park G\u00fcell\u2014and by <strong>Jean Dubuffet\u2019s<\/strong> raw, anti-academic <em>Art Brut<\/em>. Closer to home, <strong>Simon Rodia\u2019s<\/strong> towering Watts Towers in Los Angeles served as an essential American beacon.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By blending the organic chaos of outsider art with the unyielding permanence of concrete and glass, Isaiah Zagar forged his own distinct vocabulary. His anarchic collage transformed a neglected patch of the city into a living art environment, where every chipped teacup and rusted chain links into a grand anthem celebrating creative freedom.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"750\" src=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-7.png\" alt=\"\" class=\"wp-image-18952\" srcset=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-7.png 1500w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-7-300x150.png 300w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-7-768x384.png 768w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-7-696x348.png 696w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Anatomy_of_Magic_Gardens_Stepping_into_a_3D_Mosaic\"><\/span>The Anatomy of Magic Gardens: Stepping into a 3D Mosaic<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In 1994, Zagar embarked on his most ambitious venture yet, setting his sights on an overgrown vacant lot at <strong><em>1020\u20131022 South Street<\/em><\/strong>. Over fourteen years of relentless daily labor, he excavated subterranean passages, built curving brick corridors, and painstakingly covered every square inch with vibrant mosaics, turning the vacant lot into a living, breathing sculptural organism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today, <strong><em>Philadelphia\u2019s Magic Gardens<\/em><\/strong> features a two-story indoor gallery and an expansive outdoor labyrinth. Visitors are instantly enveloped by an immersive environment of sunken grottos, elevated catwalks, and winding tunnels. Here, conventional distinctions between sculpture, architecture, landscape design, and painting vanish entirely.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Spatial_Layout_of_the_Mosaic_Labyrinth\"><\/span>Spatial Layout of the Mosaic Labyrinth<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Lower Level (The Grottos).<\/strong> Cool, subterranean tunnels and cozy alcoves lined with thousands of colorful glass bottles. As daylight filters through the glass, it refracts across the mortar walls in stained-glass hues of emerald, amber, and cobalt.<\/li>\n\n\n\n<li><strong>Upper Terraces.<\/strong> Walkways and bridges that offer sweeping views across the courtyard maze, as well as towering mosaic murals that Zagar crafted on the facades of neighboring buildings.<\/li>\n\n\n\n<li><strong>Central Gallery.<\/strong> An indoor exhibition and educational venue showcasing Zagar\u2019s sketches, prints, and mixed-media works alongside rotating exhibits by celebrated outsider and folk artists from around the world.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Philadelphia\u2019s Magic Gardens<\/em> is far more than an open-air museum; it is an interactive sculptural environment that invites full physical immersion. Navigating its labyrinthine turns feels like an aesthetic meditation, with each corner revealing new tactile textures, hidden allegories, and striking optical illusions.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-8.png\" alt=\"\" class=\"wp-image-18955\" srcset=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-8.png 1200w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-8-300x225.png 300w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-8-768x576.png 768w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-8-696x522.png 696w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Battle_for_Sacred_Ground_How_the_Community_Saved_Zagars_Creation\"><\/span>The Battle for Sacred Ground: How the Community Saved Zagar\u2019s Creation<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The story of <em>Philadelphia\u2019s Magic Gardens<\/em> is not just a testament to artistic perseverance; it stands as one of America\u2019s most striking examples of grassroots activism, community solidarity, and the successful preservation of unconventional cultural heritage against aggressive commercial development.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For decades, Isaiah Zagar crafted his masterpiece on land that was legally owned by a private Boston-based landlord. In 2004, the owner decided to sell the property for redevelopment and gave Zagar an ultimatum: tear down the mosaics immediately or watch them get bulldozed. The threat of losing the site triggered massive public outcry. Local Philadelphians, fellow artists, neighborhood associations, and grassroots activists mobilized under the banner <strong><em>Save the Magic Gardens<\/em><\/strong>, launching an energetic awareness and fundraising campaign.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Stages_of_Salvation_and_Transformation\"><\/span>Stages of Salvation and Transformation<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Incorporating as a Non-Profit.<\/strong> Activists organized and registered <em>Philadelphia\u2019s Magic Gardens<\/em> as a formal non-profit organization to oversee operations and safeguard the site legally.<\/li>\n\n\n\n<li><strong>Grassroots Land Acquisition.<\/strong> Through community donations, grants from cultural trusts, and private philanthropists, the campaign raised over $300,000, enabling the organization to buy the property outright from the Boston landlord.<\/li>\n\n\n\n<li><strong>Museum Preservation and Stewardship.<\/strong> The saved landmark was converted into a public museum with educational programming, guided tours, and a dedicated conservation studio tasked with preserving the <a href=\"https:\/\/dallas1.one\/en\/eternal\/ceramics-as-a-lifestyle-marcello-andres-and-the-true-renaissance-of-pottery-4894\" data-type=\"link\" data-id=\"https:\/\/dallas1.one\/en\/eternal\/ceramics-as-a-lifestyle-marcello-andres-and-the-true-renaissance-of-pottery-4894\" target=\"_blank\" rel=\"noopener\">fragile ceramic and concrete elements.<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">The community&#8217;s triumph proved that cultural heritage and local pride can hold their own against speculative real estate pressures. Thanks to the solidarity of Philadelphia residents, Zagar\u2019s mosaic wonderland survives as a living monument to creative expression and civic resilience.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-9.png\" alt=\"\" class=\"wp-image-18958\" srcset=\"https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-9.png 800w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-9-300x225.png 300w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-9-768x576.png 768w, https:\/\/cdn.iphiladelphia.net\/wp-content\/uploads\/sites\/55\/2026\/09\/image-9-696x522.png 696w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Legacy_and_Cultural_Identity_Rewriting_Philadelphias_DNA\"><\/span>Legacy and Cultural Identity: Rewriting Philadelphia\u2019s DNA<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Isaiah Zagar achieved the extraordinary: he reshaped the visual vernacular and architectural identity of an entire metropolis. Through decades of relentless dedication, he helped earn Philadelphia the undisputed reputation as a premier world capital of public mosaics. <strong>More than 200 expansive public mosaic murals<\/strong> embellish exterior walls, firebreaks, and alley fences across the city, weaving neighborhoods into a vibrant open-air gallery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Philadelphia\u2019s Magic Gardens<\/em> evolved remarkably from an unpermitted, DIY neighborhood venture into the premier cultural landmark and tourist anchor of South Street. Zagar\u2019s legacy illustrates the transformative power of intuitive and outsider art. Beyond reviving neglected urban corridors, it created a vibrant gathering space for community engagement, identity preservation, and boundless creative expression.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The story of Isaiah Zagar and his mosaic maze stands as an inspiring manifesto on how one person can redefine an entire urban landscape. By fusing everyday salvage with deep philosophical reflection, and raw mosaic collage with steadfast community spirit, Zagar crafted a timeless cultural hallmark for Philadelphia\u2014where every shattered fragment of mirror and bottle finds its place in a grand mosaic of human freedom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the late 1960s, Philadelphia\u2019s South Street was on the brink of erasure. City officials planned to demolish several blocks to make way for the Crosstown Expressway. The impending demolition sent property values plummeting, turning the neighborhood into an overlooked urban wasteland. Yet, the dirt-cheap storefronts soon drew in artists, musicians, and free spirits\u2014igniting a [&hellip;]<\/p>\n","protected":false},"author":431,"featured_media":18950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4818],"tags":[8453,8450,8448,8456,8451,8455,8449,8452,8454],"moimportance":[32,35],"motype":[4825],"moformat":[83],"class_list":["post-18965","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultural","tag-isaiah-zagar","tag-isaiah-zagar-mosaic","tag-magic-gardens","tag-mosaic-art","tag-mosaic-labyrinth","tag-outsider-art","tag-public-art-installation","tag-south-street","tag-street-mosaic","moimportance-golovna-novyna","moimportance-retranslyacziya-v-agregatory","motype-eternal","moformat-longread-short"],"_links":{"self":[{"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/posts\/18965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/users\/431"}],"replies":[{"embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/comments?post=18965"}],"version-history":[{"count":1,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/posts\/18965\/revisions"}],"predecessor-version":[{"id":18966,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/posts\/18965\/revisions\/18966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/media\/18950"}],"wp:attachment":[{"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/media?parent=18965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/categories?post=18965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/tags?post=18965"},{"taxonomy":"moimportance","embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/moimportance?post=18965"},{"taxonomy":"motype","embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/motype?post=18965"},{"taxonomy":"moformat","embeddable":true,"href":"https:\/\/iphiladelphia.net\/en\/wp-json\/wp\/v2\/moformat?post=18965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}